Find • Hindley Street • Results 691 to 720 of 957
Series 144: Aerial views of breweries and other businesses
Aerial photographs of Walkerville Brewery at Thebarton, the Lion Brewery and Hotel at North Adelaide, the West End Brewery in Adelaide, and Coopers Brewery at Leabrook. Also includes images of Tolley, Scott & Tolley Ltd. winemakers and distillers at Stepney, and the premises of pharmaceutical firm F.H.Faulding and Co at Thebarton.
People : F surnames
People photographed by Messenger Press, with surnames starting with F. A selection have been digitised and may be viewed online (do an ARCHIVAL NUMBER search on B 74520); the rest may requested and viewed in the Reading Room.
Crippen Place
Crippen Place, south side, 25 October 1963, right side of site is 32 yards east of Morphett Street and frontage is 15 yards. Crippen Place runs parallel to Hindley Street. The Overway Hotel which faces Hindley Street can be seen on the right. Crippen Place joins Morphett Street. The photograph shows the backyards of premises on Hindley Street
Messenger Press: Views of Adelaide, its commercial and public buildings
A collection of photographs and colour photocopies of commercial premises, buildings and streets in and around the City of Adelaide (in two volumes), including artists' impressions and designs for redevelopment. Includes some designs for the Remm Group Myer Centre development, with artist's impressions of the interior. The album comprises photographs collected by Messenger Press, many of which have been published in the various suburban editions of the paper. To view apartment buildings and domestic architecture in Adelaide see album B 71883. A brochure.
Albert S. Conrad : SUMMARY RECORD
Records comprising original drawings and plans for various public or commercial buildings, private residences in South Australia, and non-commissioned work and a photograph of Waterfall Gully Kiosk.
Copper ore samples and parcels of ore
Box 34 containing copper ore samples and small sealed parcels from the Daly and Stanley Copper Mining Company. These have been photographed as digital images: BRG 64/10/34/1-9. Eleven pieces of copper ore rock; Seven small parcels with red wax seals tied up with string, each with inscription: Dayley (sic) Mining Coy First samples No. 1 - 26° Bismuth 9¾ copper Elphick 28° Bismuth/10 copper No.1 Stanley 5/7/[18]67 Dayley Mining Co No.1 Bismuth, Copper No. 2 P.a Welcome 17/10/1867 Sample of 2nd parcel cupreous bismuth ore smelted by M Oliphant No. 2 Daly 5/7/67 37---- to a pound sample of 2nd parcel cupreous bismuth smelted by M Oliphant, with a small wooden box housing most of these parcels. On side of box is written: H.C. Gleeson Esq. Clark's Buildings Hindley Street Adelaide.
'Pepys Show Project' photographs
The 'Pepys Show Project' is a series of casual shots taken by John Hinds to record the happenings at 1986 Festival Events. Names, dates and places are recorded on printed cards for posterity. Photographs containing John Hinds were taken by David Morgan. Hinds describes the shots, "overall it is a joyous and nostalgic time capsule of people and dress".
Australasian Views albums
2 of 2 ALBUMS: inscribed 'Australasian Views', comprising early images of Adelaide, Australia, New Zealand and some portraits. The following images have not been digitised: 168. Northern Territory view (see B 10099); 169. Northern Territory view (see B 9747); 170. Northern territory view (see B 4652); 171. Northern Territory view (see B 9749); 173. Arrival & swearing in of A. Musgrave, 9 May 1873 (see B 536); 199-206. Lithographed views of Victorian towns; 223. Cataract Glen, Mount Wellington, Tasmania (lithograph); 227-228. Ballarat lithographs; 230-237. Ballarat lithographs; 239-241. Ballarat lithographs; 243. Two captions: 1) Gold escort in transit per Cobb & Co's ordinary coach, value of gold on board £65,000. Photo by Malcom & Menzies, West Australia; and 2) Kidman & Nicholas - coach proprietors; 249. Hanwell Grove, front view (with annotation 'The Honorable Henry Ayres' and 'residence of Mrs Bagot').
Hawkes Family photograph album
Album of the Hawkes Family, possibly containing photographs of Hawkes, Stebbing and Whittington families, and English relatives and siblings of Henry Hawkes and Francis William Hawkes, who married Mary Jane Whittington. The donor, Clifford Henry Hawkes, born 1898, indicated that the album belonged to his grandfather, Henry Hawkes. The album includes a one page family tree of Clifford Hawkes, compiled by the State Library, photographs of the original album (which has not been retained), several in memoriam cards (photos 56-59), and two Children's League certificates, belonging to Clifford Hawkes and Harold Hawkes. Most photographs are un-captioned, and a small selection have been digitised. The album is an interesting source of examples of carte-de visite and cabinet print portrait photography, along with one tintype photograph, by studios in Adelaide in the nineteenth century. These studios include H. (Henry) Jones, King William Street, Adelaide, L'Amico Fritz, 62 Rundle Street, Adelaide, S. (Saul) Solomon, 51 Rundle Street, Adelaide, P.J. Marchant, Waymouth Street, Adelaide, Edward Farndell, 83 Hindley Street Adelaide, W. J. Lott, Paris Photographic Co., 164 Rundle Street, Spicer Adey, 83 Hindley Street Adelaide, San Francisco Photo Co., Glen Osmond Road, Parkside, Hammer & Co. Art Studio, 6 Rundle Street, Adelaide, W. H. Hammer, Artist Photographer, 172 Rundle Street, Adelaide, Captain Sweet Studio, Flinders Street, Adelaide, T. (Townsend) Duryea, 66 & 68 King William Street, Adelaide, Thomas Adcock, Adelaide, James R. Dobson & Co. Photo Artists, Temple of Light, 44 Rundle Street, Adelaide, G. H. Knight, portrait and landscape photographers, and Melbourne Photographic Co., 16, 18 & 20 Rundle Street, Adelaide. The album shows the styles of clothing worn by babies, children and adults in the nineteenth century.
Series 064: Aerial views of Adelaide
Aerial views of the city of Adelaide City, especially around North Terrace. Several photographs feature the Palais de Danse on the River Torrens. Views include the University of Adelaide, Museum, Kintore Avenue, Royal Adelaide Hospital, Railway Station and Government House.
Views in the City of Adelaide
Commercially produced album attributed to Freeman and Wivell, and containing 29 prints of buildings in Adelaide (mostly along King William Street). See 'contents' for details.
Slides taken by Stan Ostoja-Kotkowski
Slide images taken by Stan Ostoja-Kotkowski of various subjects, slides 1-192 from 1954-1957, slides 193- 326, ca.1955-1959 (mostly of people). In majority of slides there is no description of where each was taken.
Photograph albums kept by the Scammell family
Two photograph albums kept by the Scammell family. Many carte-de-visites of people were taken in England or in South Australia but are unnamed. A collection of CDVs of the British Royal family begins the second album. Album 1 ends at photograph 40; album 2 begins at number 41 and ends at 153. A selection only from the albums has been digitised. Do a NUMBER search on PRG 119/115/1-149. See 'Contents' field for further details.
James Allen
James Allen was a chemist. His chemist shop stood on the corner of Hindley and Morphett Streets. The Hindley Street pharmacist, James Allen (1815-1881), who bought seven acres of land in Thomas Street, Unley in 1851 established there a kitchen garden devoted to the 'useful', and noted in his diary in October 1852, 'Bees swarmed'. In April 1854 he noted, 'Have at length got some honey from the Bees, I suppose about Twenty Pounds' [nearly 10kg]. By early 1856 he had attended Horticultural Society meetings; had a thatched and lime washed bee house built, made an 'unsatisfactory' stand for his bee hives, and also 'put [?mud] mortar on the bee shed'." [From Bridget Jolly's paper 'First flights in South Australia's systematic beekeeping and honey harvesting'.
Crippen Place
Crippen Place, south side, 25 October 1963, right side of site is 32 yards east of Morphett Street and frontage is 15 yards. This lane runs parallel to Hindley Street and the backyard of a house on Hindley Street can be seen here.
West Terrace
West Terrace, 1 August 1958. The right side of the building shown on the right of the photograph abuts Philip Street, north side. Left side of site, just off the photograph abuts Hindley Street, south side. For Hindley Street view see B 14151
Gilbert Place, Adelaide
[General description] View along Gilbert Place. The shopfront on the left with the leadlight windows is the 'Night Owl Cafe'. [On back of photograph] 'Acre 78 / Gilbert Place (off Hindley Street), east side / February 19th 1938 / The two storey building on the left side of Gilbert Place was remodelled etc. in 1937 / The near side of this building is 32 yards north of Hindley Street / Frontage 19 yards' (Another hand) 'For view of site at end of street after alterations made in 1951, see B 12699'.
Horse drawn carriage
Horse drawn carriage on King William Street, Adelaide, near the intersection with Hindley Street. Joel Moss's Monster Clothing Palace is on the corner with Bridgland and Atterton Tailors and Beach's Restaurant visible further west on Hindley Street.
West Terrace
West Terrace, east side, corner of Hindley street,north side. 21 December 1962, Hindley Street frontage of service station is 33 yards and West Terrace frontage is 25 yards. The Mobilgas Service Station also offers new batteries, motor repairs, tune ups and "expert holiday checks".
Gilbert Place, Adelaide
[General description] This single storey building has previously been the premises of Felstead and Onsby (?), Printers. There is a To Let sign in the window. [On back of photograph] 'Acre 78 / Gilbert Place (off Hindley Street) / West side / June 27th 1930 / Near side of shops is 43 yards south of Hindley Street and frontage is 12.5 yards'.
Auction Mart, Adelaide
View of Adelaide's first Auction Mart, located on the corner of Hindley and King William Streets. The building faced Hindley Street.
Imprints Booksellers
View of Hindley Street through the window of Imprints Booksellers, Hindley Street, Adelaide.
Forwood Down foundry
View of men working in the Forwood Down foundry at 199 Hindley Street, Adelaide, using various shaped moulds.
Forwood Down foundry
View of men working in the Forwood Down foundry at 199 Hindley Street, Adelaide.
Forwood Down foundry
View of men working in the Forwood Down foundry at 199 Hindley Street, Adelaide, using various shaped moulds.
Forwood Down foundry
View of men working in the fitting shop in the Forwood Down foundry at 199 Hindley Street, Adelaide.
Forwood Down foundry
View of men working on lathes in the fitting shop in the Forwood Down foundry at 199 Hindley Street, Adelaide.
1956 Melbourne Olympic Games motion picture
Two athletes arrive at Wests Theatre, Hindley Street, Adelaide, carrying movie cans labelled "Official Olympic Games Film in colour. Rush to Wests Theatre Adelaide". The film had its Adelaide gala premier at Wests Theatre, Hindley Street, Adelaide, on 9 May 1957.
![[Glass plates and negatives of Adelaide scenes]](https://slsa-collections.s3.amazonaws.com/18/96/0933-86c8-5303-81f8-7a350e604a3e.jpg)
[Glass plates and negatives of Adelaide scenes]
A mixture of glass plate negatives and acetate negatives, many believed to have been taken by George Reeves. A diary 'The Welcome Photographic Exposure Record and diary, 1912' which was used to record details of exposures; and a leaflet 'How to use Velox' can be found at D 8602(Misc).
Photographs of W.A. Robjohns
The series comprises 15 albums housing 1,973 photographs, most of which were taken by photographer W.A. Robjohns ca.1920-1966. Album covers were numbered and labelled by Robjohns. The sequence is incomplete, however, as only volumes 1-9, 12-14, 15, 20 and 23 have been donated. Robjohns' brief descriptions of content on the covers and spines are incomplete. For further descriptions of place names and subjects contained in each album, SEE details below. The albums contain small black and white prints, mostly undated, with captions by W.R. Robjohns. Also sepia and postcard prints, and a few hand-tinted prints. A small number of images were taken by other photographers, several of whom have been identified by Robjohns. Images depict Adelaide suburbs, city scenes and country towns, with an emphasis on rural landscapes, parks and reserves, rivers, reservoirs, streets, houses, churches, businesses and shop fronts, and public celebrations and processions. Also included are images of the Robjohns family on picnics and holiday outings, and their homes, cars and pets. A number of photos were duplicated or enlarged by Robjohns and appear in more than one album.