State Library of South Australia

Murals arranged by project [PRG 919/15] • Mixed material

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/18

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/18

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/19

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/19

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/20

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/20

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/21

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/21

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/22

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/22

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/23

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/23

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/24

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/260/24

Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/1

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/1

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/2

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/2

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/3

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/3

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/4

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/4

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/5

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/5

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/6

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/6

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/7

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/7

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/8

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/8

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/9

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/9

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/10

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/10

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/11

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/11

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/12

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/12

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/13

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/13

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/14

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/14

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/15

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/15

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/16

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/16

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/17

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/17

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/18

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/18

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/19

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/19

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/20

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/20

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/21

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/21

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/22

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/22

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/23

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

Murals arranged by project — Murals arranged by project

Ostoja-Kotkowski, Stanisław, 1955-1988, Mixed material, PRG 919/15/272/23

Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.

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Summary

The series consists of photographs, negatives, transparencies, correspondence, drawings, paintings, pamphlets and a wooden model which relate to murals created by J S Ostoja-Kotkowski. These include projects for hotels, the Adelaide Airport, B.P. House in Adelaide, B.P. House in Melbourne, Ciba-Geigy building in Preston Victoria, Earth Sciences building University of Melbourne, Montreal Expo 67, Nauru House Melbourne, National Mutual building Adelaide, Polish Church, Polish House, Solaris, South Australian Institute of Technology, State Educational Centre, Unley shopping centre and the Weir restaurant in Adelaide.

Chronology:.

1955 Milford House North Adelaide.

1957 Pier Hotel Glenelg; Tasman Hotel Port Lincoln.

1960 Taboo Peel St Adelaide.

1961 Weir restaurant Adelaide.

1962 Office mural; National Mutual building Adelaide; vitreous enamel mural Kym Bonython gallery(?).

1964 Vitreous enamel mural Melbourne.

1965 BP House Adelaide; BP House Melbourne; Dollar Club Adelaide.

1966 Unley shopping centre.

1967 Montreal expo.

1968 Chanteclaire; school seminary refectory North Adelaide.

c1960s M Hobbs vitreous enamel mural; Hotel Elizabeth Melbourne; Hotel Eyrie Whyalla; mosaic mural Adelaide; restaurant mural.

1970 Adelaide airport s'pacescape'; MLC building Melbourne; ANZ Bank Adelaide.

1971 Ciba Geigy building Preston Victoria.

1973 Polish House Adelaide.

1975 Earth Sciences building University of Melbourne.

1976 Nauru House Melbourne; Kooroora Hotel.

1977 South Australian Institute of Technology; State Educational Centre Adelaide.

1978 Op mural Stirling hardware; op mural chemist shop.

1980 Perspex mural Kay.

1981 Telecom Australia.

1986 Sheik's restaurant Adelaide; Solaris Sydney.

1987 Polish church mosaic Adelaide.

1988 Brisbane expo Solaris Mk2.

No date: Eta food factory Adelaide; Perth tapestry project; Shamern's(?); Twelve Apostles and various unidentified murals.

Copyright Status

In copyright. Copyright for records created by Stanislaw Ostoja-Kotkowski has been assigned to the Libraries Board of South Australia.

Learn more about copyright and our collection.

Terms of Use

Copies may be made for research or study. Publication only with written permission from the State Library of South Australia.

Physical description

Watercolour;
pencil sketch;
sketch;
photoprint;
negative (acetate);
slide (acetate);
leaflet;
pamphlet;
typescript;
handwritten;
newspaper cutting
2.0 m

Dates / Publication details

1955-1988

Creator

Ostoja-Kotkowski, Stanisław

Subject

Ostoja-Kotkowski, Stanisław, 1922-1994
Marceau, Marcel
Adelaide Airport (S.A.)
Expo 67 (1967: Montreal, Quebec)
Expo 88 (1988: Brisbane, Qld.)
Mural painting and decoration -- Australia
Bas-relief

Catalogue record

Return to catalogue

Additional notes

PRG 919/15/1: Description of mural at Adelaide Airport 'Spacescape' created by Ostoja-Kotkowski, and assisted by Colin Burchett, Colin Gardiner and Virginia Fay. 1970.
PRG 919/15/2: Newspaper clippings by Ruth Tuck and Ivor Francis. 'Airport mural dazzling'. The Advertiser 19 December 1970 and the Sunday Mail 2 January 1971.;PRG 919/15/3-8 Colour photographs and postcards of the Adelaide mural 'Spacescape' 1970. (3 and 4 at OUTSIZE 1).;PRG 919/15/9-36 Colour photographs of sections of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/37: Colour proof sheet of sections of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/38: Colour negative 10x12mm of the Adelaide Airport mural 'Spacescape' and a section of the the mural. 1970.;PRG 919/15/39-44 Colour negatives of J S Ostoja-Kotkowski in front of sections of the Adelaide Airport mural 'Spacescape'. 1970.;PRG 919/15/45-63 Colour negatives of sections of the Adelaide Airport mural 'Spacescape' (relate to 9-36). 1970.;PRG 919/15/64-67 Black and white photographs of J S Ostoja-Kotkowski in front of sections of the 55 ft long Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/68: Black and white photograph of the four artists working on the mural and a colour photograph of the Adelaide Airport mural 'Spacescape'. Both are pasted onto a board. 1970 OUTSIZE 1.;PRG 919/15/69-70 Black and white photographs of J S Ostoja-Kotkowski working on the Adelaide Airport mural 'Spacescape'. Nov 1970.
PRG 919/15/71: Black and white photographs of J S Ostoja-Kotkowski and Jinny (Virginia) Fay working on the Adelaide Airport mural 'Spacescape'. 1970.;PRG 919/15/72-74 Black and white photographs. Working on mural for the Adelaide Airport. Stan Ostoja-Kotkowski with colleagues Jinny Fay and Colin Burchett. 1970.;PRG 919/15/75-76 Black and white photographs of J S Ostoja-Kotkowski, Colin Burchett, Virginia Fay and Colin Gardiner(?) in front of a section of the Adelaide Airport mural 'Spacescape'. 1970.;PRG 919/15/77-80 Black and white photographs of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/81: Black and white photograph of woman and girl in front of a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/82: Black and white photograph of a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/1: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/2: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/3: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/4: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/5: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/6: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/7: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/8: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/9: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/10: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/11: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/83/12: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett beside a section of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/1: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/2: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/3: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/4: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/5: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/6: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/7: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/8: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/9: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/10: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/11: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/12: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/13: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/14: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/15: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/16: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/84/17: Black and white proof sheet and negatives of the installation of the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/1: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/2: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/3: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/4: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/5: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/6: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/7: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/8: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/9: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/10: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/11: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/85/12: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, Virginia Fay and Colin Burchett working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/1: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/2: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/3: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/4: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/5: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/6: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/7: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/8: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/9: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/10: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/11: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/12: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/13: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/14: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/15: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/16: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/17: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/18: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/19: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/20: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/21: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/22: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/23: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/24: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/25: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/26: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/27: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/28: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/29: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/30: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/31: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/32: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/33: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/34: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/35: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/86/36: Black and white proof sheet and negatives of artists working on the Adelaide Airport mural 'Spacescape'. 1970.
PRG 919/15/87/1: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/2: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/3: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/4: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/5: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/6: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/7: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/8: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/9: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/10: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/11: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/12: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/13: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/14: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/15: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/16: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/17: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/18: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/19: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/20: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/21: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/22: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/23: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/24: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/25: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/26: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/27: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/28: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/29: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/30: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/31: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/32: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/87/33: Black and white proof sheets and negatives of sections of the airport mural, a woman and girl in front of the mural and installation of the mural. 1970.
PRG 919/15/88/1: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/2: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/3: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/4: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/5: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/6: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/7: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/8: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/9: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/10: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/11: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/12: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/13: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/14: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/15: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/16: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/17: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/18: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/19: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/20: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/21: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/22: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/23: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/24: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/25: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/26: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/27: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/28: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/29: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/30: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/31: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/88/32: Black and white proof sheets and negatives of the artists, sections of the airport mural and J S Ostoja-Kotkowski on television promoting the Adelaide Airport mural. 1970.;PRG 919/15/89-163 Colour transparencies of the Adelaide Airport mural, its creation and artists and the mural being filmed by the press. 1970.;PRG 919/15/164-170 Black and white photographs of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide made of fibreglass and resin on steel mesh electroplated with copper. Size 5x12ft. Bronze bas- relief grouze mural. 1965 (see also PRG 919/15/2948).;PRG 919/15/171-172 Black and white proof sheet of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.;PRG 919/15/173-174 Black and white proof sheets of the installation of the mural for BP House Adelaide. 1965.
PRG 919/15/175/1: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/2: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/3: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/4: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/5: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/6: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/7: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/8: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/9: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/10: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/11: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/12: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/13: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/14: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/175/15: Black and white negatives of J S Ostoja-Kotkowski constructing a mural for BP House Adelaide. 1965.
PRG 919/15/176/1: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/2: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/3: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/4: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/5: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/6: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/7: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/8: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/9: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/10: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/11: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/12: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/13: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/14: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/15: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/176/16: Black and white negatives of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/1: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/2: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/3: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/4: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/5: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/6: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/7: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/177/8: Black and white negatives of sections of the mural for B.P. House Adelaide. 1965.;PRG 919/15/178-193 Black and white photographs of the installation of a mural for BP House Adelaide. 1965.
PRG 919/15/194: Proof sheet of black and white photographs of electroplating the mural for BP House Adelaide. 1965.;PRG 919/15/195-208 Black and white photographs of sections of a mural for BP House Adelaide. 1965.
PRG 919/15/209: Black and white photograph of a mural for BP House Adelaide. 1965.
PRG 919/15/210: Colour photograph of a mural for BP House Adelaide. 1965.;PRG 919/15/211-216 Colour negatives of a mural for BP House Adelaide. 1975.;PRG 919/15/217-219 Colour transparencies of a mural for BP House Adelaide. 1965.;PRG 919/15/220-222 Black and white photographs of J S Ostoja-Kotkowski and Marcel Marceau in front of the mural for BP House Adelaide. July 1965.
PRG 919/15/223: Black and white proof sheet of J S Ostoja-Kotkowski and Marcel Marceau in front of the mural for BP House Adelaide. July 1965.;PRG 919/15/224-225 Black and white photographs of Marcel Marceau, J S Ostoja-Kotkowski and two women at a reception. July 1965.;PRG 919/15/226-231 Black and white negatives of the mural for BP House Adelaide and J S Ostoja-Kotkowski, Marcel Marceau and two men at a reception. July 1965.
PRG 919/15/232: Card with list of numbers. 1965.
PRG 919/15/233/1: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/2: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/3: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/4: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/5: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/6: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/7: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/8: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/9: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/233/10: 'A man and his mural'. Pamphlet about the creation of a mural 50 feet long by 5 feet 6 inches high for BP House in Melbourne. The mural was made of steel mesh over steel frames, covered with fibreglass and then copper plated. 1965 (see also 2925).
PRG 919/15/234/1: 'A man and his mural'. Pamphlet about the mural for BP House Melbourne. May 1972.
PRG 919/15/234/2: 'A man and his mural'. Pamphlet about the mural for BP House Melbourne. May 1972.
PRG 919/15/234/3: 'A man and his mural'. Pamphlet about the mural for BP House Melbourne. May 1972.
PRG 919/15/234/4: 'A man and his mural'. Pamphlet about the mural for BP House Melbourne. May 1972.
PRG 919/15/235/1: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/2: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/3: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/4: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/5: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/6: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/7: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/8: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/9: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/10: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/11: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/12: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/13: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/14: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/15: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/16: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/17: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/18: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/19: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/235/20: B.P. House. Booklet which includes a section on the BP House foyer mural in Melbourne. ca.1965.
PRG 919/15/236/1: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/2: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/3: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/4: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/5: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/6: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/7: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/8: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/9: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/10: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/11: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/12: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/13: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/14: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/15: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/16: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/17: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/18: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/19: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/20: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/21: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/22: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/23: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/24: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/25: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/26: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/27: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/28: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/29: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/30: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/31: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/32: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/33: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/34: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/35: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/236/36: BP 'Accelerator' Number 230 February 1965. Booklet which includes an article à man and his mural'. 1965.
PRG 919/15/237/1: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/2: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/3: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/4: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/5: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/6: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/7: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/8: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/9: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/10: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/11: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/12: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/13: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/14: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/15: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/16: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/17: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/18: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/19: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/20: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/21: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/22: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/23: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/24: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/25: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/26: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/27: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/28: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/29: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/30: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/31: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/237/32: BP 'Accelerator' August 1966 No 239. Booklet that includes an article 'Blue Ribbon Award' presented at the Eighth Annual American Film Festival for the film 'Man and a mural'. 1966.
PRG 919/15/238/1: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/2: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/3: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/4: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/5: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/6: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/7: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/8: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/9: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/10: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/11: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/12: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/13: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/14: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/15: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/16: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/17: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/18: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/19: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/20: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/21: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/22: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/23: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/24: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/25: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/26: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/27: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/28: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/29: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/30: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/31: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/32: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/33: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/238/34: An album relating to the creation and installation of the BP House mural Melbourne. Includes an extract from 'Vogue'magazine, information about BP House and photographs of J S Ostoja-Kotkowski, creating and installing the mural and the mural up on the balcony at BP House. 1965.
PRG 919/15/239: Black and white photograph of J S Ostoja-Kotkowski welding the steel mesh for the BP House mural Melbourne. 1965.
PRG 919/15/240: Black and white photograph of J S Ostoja-Kotkowski applying fibreglass to the BP House mural Melbourne. 1965.
PRG 919/15/241: J S Ostojo-Kotkowski with a fibreglassed section of the BP House mural Melbourne. 1965.
PRG 919/15/242: Black and white photograph of J S Ostojo-Kotkowski with drawing of the BP House mural Melbourne. 1965.
PRG 919/15/243: Black and white photograph of a man preparing a section of the BP House mural for electroplating. 1965.
PRG 919/15/244: Black and white photograph of J S Ostoja-Kotkowski with a section of the mural for BP House ready for electroplating. 1965.
PRG 919/15/245: Colour photograph of J S Ostoja-Kotkowski on balcony above a section of the BP House mural Melbourne 1965.
PRG 919/15/246: Colour proof sheet of sections of the BP House mural Melbourne, a Peugeot car and a valley. 1965.
PRG 919/15/250: Photograph of drawing of BP House mural Melbourne. 1965.
PRG 919/15/251: Photograph of drawing of a section of the BP House mural Melbourne. 1965.
PRG 919/15/256/1: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/256/2: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/256/3: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/256/4: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/256/5: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/256/6: Black and white proof sheet and negatives of J S Ostoja-Kotkowski in a suit holding a drawing of the BP House mural Melbourne. 1965.
PRG 919/15/257/1: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/2: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/3: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/4: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/5: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/6: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/7: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/8: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/9: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/10: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/257/11: Black and white proof sheets and negatives of BP House mural being organised for electroplating. 1965.
PRG 919/15/258/1: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/2: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/3: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/4: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/5: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/6: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/7: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/8: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/9: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/10: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/11: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/258/12: Black and white BP House mural out of doors and Gabrielle Hartley on a ladder. 1965.
PRG 919/15/259/1: Black and white proof copies and negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/259/2: Black and white proof copies and negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/259/3: Black and white proof copies and negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/259/4: Black and white proof copies and negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/1: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/2: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/3: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/4: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/5: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/6: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/7: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/8: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/9: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/10: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/11: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/12: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/13: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/14: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/15: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/16: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/17: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/18: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/19: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/20: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/21: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/22: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/23: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/260/24: Black and white proof sheets and negatives of the BP House mural Melbourne, J S Ostoja-Kotkowski above the mural on the balcony and three BP staff above a section of the mural. 1965.;PRG 919/15/261-264 Black and white proof sheets of J S Ostoja-Kotkowski creating the BP House mural Melbourne. 1965.;PRG 919/15/265-266 Black and white proof sheets of the BP House mural Melbourne being electroplated. 1965.;PRG 919/15/267-268 Black and white negatives of J S Ostoja-Kotkowski making the BP House mural Melbourne. 1965.;PRG 919/15/269-271 Black and white negatives of sections of the BP House mural Melbourne. 1965.
PRG 919/15/272/1: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/2: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/3: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/4: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/5: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/6: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/7: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/8: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/9: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/10: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/11: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/12: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/13: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/14: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/15: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/16: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/17: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/18: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/19: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/20: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/21: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/22: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/23: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/24: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/25: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/26: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/27: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/28: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/29: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/30: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/31: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/32: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/33: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/34: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/35: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/36: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/272/37: Colour negatives of the completed BP House mural Melbourne, Dana Zerowska and Australia II. ca.1980.;PRG 919/15/273-274 Black and white photographs of a vitreous enamel mural at Kym Bonython's gallery(?). 1962.;PRG 919/15/275-278 Colour transparencies of Chanteclaire. January 1968.
PRG 919/15/279/1: Newspaper clipping 'Mural has SA theme' The Advertiser 25 Nov 1971. Mural created by J S Ostoja-Kotkowski and Mark Strizic, 42 feet long, infra red photochrome, for the Ciba Geigy building in Melbourne. 1971.
PRG 919/15/279/2: Newspaper clipping 'Mural has SA theme' The Advertiser 25 Nov 1971. Mural created by J S Ostoja-Kotkowski and Mark Strizic, 42 feet long, infra red photochrome, for the Ciba Geigy building in Melbourne. 1971.
PRG 919/15/280: Colour photograph of mural at Ciba-Geigy building at Preston Victoria, commissioned by architect Gerd Block and created by Ostoja-Kotkowski and Mark Strizic. 1971.
PRG 919/15/281: colour photograph of mural at the Ciba-Geigy building at Preston Victoria. 1971.
PRG 919/15/282: Colour photograph of murals created by Ostoja-Kotkowski and Mark Strizic for the Ciba-Geigy building at Preston Victoria. 1971.
PRG 919/15/283: Colour photograph of murals and J S Ostoja-Kotkowski and Mark Strizic on stairs at the Ciba-Geigy building Preston Victoria. 1971.
PRG 919/15/284: Colour photograph of mural and J S Ostoja-Kotkowski and Mark Strizic at Ciba-Geigy building Preston Victoria. 1971.
PRG 919/15/285: Black and white photograph of murals and J S Octoja-Kotkowski at Ciba-Geigy building Preston Victoria. 1971.
PRG 919/15/286: Black and white photograph of J S Ostoja-Kotkowski and Mark Strizic in front of a mural at Ciba-Geigy building Preston Victoria. 1971.
PRG 919/15/287: Black and white photograph of J S Ostoja-Kotkowski and Mark Strizic in front of a mural at the Ciba-Geigy building Preston Victoria. 1971.
PRG 919/15/288: Black and white photograph of J S Ostoja-Kotkowski and Mark Strizic in front of a mural at the Ciba-Geigy building Preston Victoria. 1971.;PRG 919/15/289-300 colour negatives of luminous mural at the Dollar Club Adelaide. 1965.
PRG 919/15/302: Articles: 'Vitreous enamel theremin mural' from 'Craft Australia' April 1977 relating to the mural for the Earth Sciences building University of Melbourne consisting of eighteen vitreous enamel panels with the theme space-spaces. The work was commissioned by the Principal of Melbourne University of Mr R D Marginson and Professor J Lovering and created by J S Ostoja-Kotkowski. A theremin was placed behind one of the left-hand panels which reacted to movement and produced sounds. 1977 (One copy on card and an A3 size) and Vogue Australia February 1976 (A4 size).
PRG 919/15/307A: Colour photograph and explanation sheet relating to the theremin used in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. ca.1974.
PRG 919/15/307B: Colour photograph and explanation sheet relating to the theremin used in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. ca.1974.
PRG 919/15/307C: Colour photograph and explanation sheet relating to the theremin used in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. ca.1974.
PRG 919/15/308: Instructions for operating the theremin in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. 1974.;PRG 919/15/309-311 Colour photographs of vitreous enamel theremin mural, Earth Sciences building, University of Melbourne. 1975.;PRG 919/15/312-322 Instructions for use of theremin and black and white photographs of J S Ostoja-Kotkowski in front of the theremin panel in the mural at the Earth Sciences building, University of Melbourne. Nov 1975 (nos 313-321 taken by Mike Arthur from the Àustralian' in Melbourne).
PRG 919/15/308A: Instructions for operating the theremin in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. 1974.;PRG 919/15/309-311 Colour photographs of vitreous enamel theremin mural, Earth Sciences building, University of Melbourne. 1975.;PRG 919/15/312-322 Instructions for use of theremin and black and white photographs of J S Ostoja-Kotkowski in front of the theremin panel in the mural at the Earth Sciences building, University of Melbourne. Nov 1975 (nos 313-321 taken by Mike Arthur from the Àustralian' in Melbourne).
PRG 919/15/308B: Instructions for operating the theremin in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. 1974.;PRG 919/15/309-311 Colour photographs of vitreous enamel theremin mural, Earth Sciences building, University of Melbourne. 1975.;PRG 919/15/312-322 Instructions for use of theremin and black and white photographs of J S Ostoja-Kotkowski in front of the theremin panel in the mural at the Earth Sciences building, University of Melbourne. Nov 1975 (nos 313-321 taken by Mike Arthur from the Àustralian' in Melbourne).
PRG 919/15/308C: Instructions for operating the theremin in the vitreous enamel mural at the Earth Sciences building, University of Melbourne. 1974.;PRG 919/15/309-311 Colour photographs of vitreous enamel theremin mural, Earth Sciences building, University of Melbourne. 1975.;PRG 919/15/312-322 Instructions for use of theremin and black and white photographs of J S Ostoja-Kotkowski in front of the theremin panel in the mural at the Earth Sciences building, University of Melbourne. Nov 1975 (nos 313-321 taken by Mike Arthur from the Àustralian' in Melbourne).
PRG 919/15/323: Black and white photograph of J S Ostoja-Kotkowski and a man installing the vitreous enamel mural at the Earth Sciences building University of Melbourne. 1975.
PRG 919/15/324: Black and white photograph of a man and woman on a ladder installing the vitreous enamel mural at the Earth Sciences building University of Melbourne. 1975.
PRG 919/15/325: Black and white photograph of a woman in front of the theremin panel of the vitreous enamel mural at the Earth Sciences building University of Melbourne. 1975.;PRG 919/15/326-328 Black and white photographs of J S Ostoja-Kotkowski beside the vitreous enamel mural at the Earth Sciences building University of Melbourne. 1975.
PRG 919/15/330: Black and white photograph of vitreous enamel theremin mural University of Melbourne Earth Sciences building. 1975.
PRG 919/15/331: Black and white proof sheet of J S Ostoja-Kotkowski, F A Szklistej(?) and a woman in front of the Earth Sciences mural University of Melbourne. 1975.;PRG 919/15/332-335 Black and white proofs of J S Ostoja-Kotkowski, a man and a woman installing the Earth Sciences mural and checking the theremin, University of Melbourne. 1975.
PRG 919/15/336/1: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/2: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/3: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/4: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/5: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/6: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/7: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/8: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/9: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/10: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/11: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/12: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/13: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/14: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/15: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/16: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/17: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/336/18: Black and white negatives nos 4 to 20 which relate to no 331. 1975.
PRG 919/15/337: Colour negatives 1 to 3 of the vitreous enamel theremin mural Earth Sciences building University of Melbourne 1975.;PRG 919/15/338-390 Colour transparencies of J S Ostoja-Kotkowski making and installing the vitreous enamel theremin mural at the Earth Sciences building University of Melbourne. 1975.;PRG 919/15/391-392 Black and white photographs of Eta Food factory Italian mosaic tile mural. nd.
PRG 919/15/393: Black and white photograph of a vitreous enamel mural, J S Ostoja-Kotkowski and a man making the mural. 1964.
PRG 919/15/394: Black and white photograph of Gabrielle Hartley in front of vitreous enamel mural Melbourne. 1964.
PRG 919/15/395: Black and white photograph of Harry Gallagher and students in front of vitreous enamel mural Melbourne. 1964.
PRG 919/15/396: Black and white photograph of vitreous enamel mural for M Hobbs. ca.1960s.;PRG 919/15/397-407 Set of black and white photographs of vitreous enamel mural for M Hobbs, J S Ostoja-Kotkowski and Gabrielle Hartley and Siamese cat. ca.1960s.;PRG 919/15/408-414 Colour negatives of mural at Hotel Elizabeth. Melbourne. nd.;PRG 919/15/415-416 Black and white photographs of murals at Hotel Eyrie, Whyalla SA. nd.;PRG 919/15/417-427 Black and white negatives of mural at Hotel Eyrie Whyalla SA and chairs at the hotel. nd.;PRG 919/15/428-459 Colour transparencies of a mural at the Kooroora hotel, a woman in front of the mural and patrons at the hotel including a grey horse. 1976.;PRG 919/15/460-485 Colour transparencies of proposed M.L.C. building project Melbourne. 1970.
PRG 919/15/486: Black and white negatives of proposed M.L.C. building project Melbourne. 1976.
PRG 919/15/507: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/1: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/2: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/3: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/4: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/5: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/6: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/7: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/8: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/9: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/10: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/11: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/12: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/13: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/14: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/15: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/16: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/17: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/18: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/19: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/20: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/21: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/22: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/23: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/24: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/25: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/26: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/27: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/28: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/29: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/30: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/31: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/32: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/33: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/507/34: Black and white proof sheets and negatives of the design for the mural for Nauru House Melbourne. 1976.;PRG 919/15/508-658 Black and white photographs of Nauru. J S Ostoja-Kotkowski visited Nauru in April 1974 to gain ideas for the mural for Nauru House in Melbourne. The photographs include images of the coral, mined sites, flora, people, buildings, birdlife, and Ostoja. (508-513 A3 size) 1974.;PRG 919/15/659-782 Black and white photographs of the mural being made for Nauru House in Melbourne. The photographs include sections of the bas-relief mural in various stages of creation including the finished sections, J S Ostoja-Kotkowski and his colleagues working on the mural, and the workshop. The mural was 240 feet long and made of aluminium finished fibreglass. It includes birds, flowers, trees, a crab, a snake, a grasshopper, a clam, spider and its web, fish, the shape of the island, coral, a man, and the mined sites. 1975-1976.;PRG 919/15/783-790 Colour photographs of the mural for Nauru House in Melbourne. The photographs include sections of the completed mural and J S Ostoja-Kotkowski with the bird and snake sections. 1975-1976.;PRG 919/15/791-800 Black and white proof sheets and negatives of images of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. (Includes 508-658 plus other images) 1974.
PRG 919/15/801/1: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/2: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/3: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/4: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/5: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/6: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/7: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/8: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/9: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/10: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/11: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/12: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/13: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/14: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/15: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/801/16: Black and white proof sheet and negatives of work on frames for mural for Nauru House Melbourne. June 1974.;PRG 919/15/802-816 Black and white proof sheets and negatives of the creation of the mural for Nauru House Melbourne. (includes 659-782) 1975-1976.;PRG 919/15/817-1043 Colour transparencies of Nauru taken during J S Ostoja-Kotkowski's visit in 1974. Images were used for the mural for Nauru House Melbourne. 1974.;PRG 919/15/1044-1079 Black and white transparencies of Nauru designs for the mural for Nauru House Melbourne. 1973.;PRG 919/15/1080-1454 Colour transparencies of various stages of the creation of the Nauru House mural and the mural installed in Nauru House Melbourne. 1975-1977.
PRG 919/15/1473/1: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/2: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/3: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/4: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/5: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/6: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/7: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/8: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/9: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/10: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/11: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/12: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/13: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/14: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/15: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/16: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/16R: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/17: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/18: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/19: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/20: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/21: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/22: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/23: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/24: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/25: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/26: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/27: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/27V: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/28: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/29: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/30: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/31: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/32: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/33: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/34: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/35: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/36: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/37: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/38: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/39: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1473/40: Correspondence relating to the mural for Expo 67 in Montreal including letters to and from the architect Robin Boyd. 1966.;PRG 919/15/1474-1475 Colour photographs. Op art exhibit for Montreal Expo '67. The theme of this mural was to depict the size of the continent of Australia as against the continent of United States and Canada. 1967.;PRG 919/15/1476-1477 Newspaper clippings of the Op mural for the World Fair. The Australian pavilion at the Montreal World Fair. 1966.;PRG 919/15/1478-1482 Black and white photographs of the op mural for Expo 67 in Montreal. 1966.;PRG 919/15/1483-1484 Black and white photographs of J S Ostoja-Kotkowski and a man putting the op mural in a press to be glued. 1966.
PRG 919/15/1485/1: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/2: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/3: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/4: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/5: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/6: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/7: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/8: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/9: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1485/10: Black and white proof sheet and some matching negatives of the op mural for Expo 67 Montreal. 1966.
PRG 919/15/1486/1: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/2: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/3: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/4: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/5: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/6: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/7: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/8: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/9: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/10: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/11: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/12: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/13: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/14: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/15: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/16: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/17: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/18: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/19: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/20: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/21: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/22: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/23: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/24: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/25: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/26: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/27: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/28: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/29: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1486/30: Black and white negatives of J S Ostoja-Kotkowski making and erecting in a workshop the op mural for Expo 67 Montreal 1966.
PRG 919/15/1487/1: Black and white negatives of a map of Australia nd.
PRG 919/15/1487/2: Black and white negatives of a map of Australia nd.
PRG 919/15/1487/3: Black and white negatives of a map of Australia nd.
PRG 919/15/1487/4: Black and white negatives of a map of Australia nd.
PRG 919/15/1488/1: Black and white proof sheet and negatives of panels being glued in a press at F.R. Bay. Mural for Expo 67 Montreal. August 1966.;PRG 919/15/1489-1516 Colour transparencies of J S Ostoja-Kotkowski looking at a screen with an image of the mural for Expo 67 in Montreal, the mural, and maps of Australia, North America and New Guinea. 1967 (see also 488-490).
PRG 919/15/1488/2: Black and white proof sheet and negatives of panels being glued in a press at F.R. Bay. Mural for Expo 67 Montreal. August 1966.;PRG 919/15/1489-1516 Colour transparencies of J S Ostoja-Kotkowski looking at a screen with an image of the mural for Expo 67 in Montreal, the mural, and maps of Australia, North America and New Guinea. 1967 (see also 488-490).
PRG 919/15/1488/3: Black and white proof sheet and negatives of panels being glued in a press at F.R. Bay. Mural for Expo 67 Montreal. August 1966.;PRG 919/15/1489-1516 Colour transparencies of J S Ostoja-Kotkowski looking at a screen with an image of the mural for Expo 67 in Montreal, the mural, and maps of Australia, North America and New Guinea. 1967 (see also 488-490).
PRG 919/15/1517/1: Colour photograph and black and white and colour negatives of J S Ostoja-Kotkowski and Premier Playford standing beside a mosaic mural, and Ostoja and a shot of the whole mural. ca.1960s.
PRG 919/15/1517/2: Colour photograph and black and white and colour negatives of J S Ostoja-Kotkowski and Premier Playford standing beside a mosaic mural, and Ostoja and a shot of the whole mural. ca.1960s.
PRG 919/15/1517/3: Colour photograph and black and white and colour negatives of J S Ostoja-Kotkowski and Premier Playford standing beside a mosaic mural, and Ostoja and a shot of the whole mural. ca.1960s.
PRG 919/15/1518: Colour photograph and negative of the bronze bas-relief mural for the National Mutual Building Adelaide. 1962 (see also 2924).;PRG 919/15/1519-1522 Colour negatives of the bronze bas-relief mural for the National Mutual Building Adelaide. 1962.
PRG 919/15/1518/1: Colour photograph and negative of the bronze bas-relief mural for the National Mutual Building Adelaide. 1962 (see also 2924).;PRG 919/15/1519-1522 Colour negatives of the bronze bas-relief mural for the National Mutual Building Adelaide. 1962.
PRG 919/15/1524: Black and white photographs of the bronze bas-relief mural for the National Mutual Insurance building Adelaide. 60 inches long. 1962.
PRG 919/15/1525: Black and white mounted photograph of the bas-relief bronze mural in the office with a secretary at her desk in the National Mutual Insurance building Adelaide. 1962.;PRG 919/15/1526-1527 Black and white proof sheets and negatives of the bas-relief bronze mural at the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/1: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/2: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/3: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/4: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/5: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1528/6: Black and white negatives of J S Ostoja-Kotkowski making the bronze-relief mural for the National Mutual Insurance building Adelaide. 1962.
PRG 919/15/1534: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/1: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/2: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/3: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/4: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/5: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/6: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/7: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/8: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/9: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/10: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/11: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1534/12: Black and white proof sheet and negatives of the construction and installation of the mural for the school seminary refectory at North Adelaide. 1968.
PRG 919/15/1535/1: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/2: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/3: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/4: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/5: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/6: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1535/7: Colour negatives of the installation of the mural at the school seminary refectory North Adelaide. December 1967.;PRG 919/15/1536-1544 Colour transparencies of op mural for Stirling hardware. 1978.;PRG 919/15/1545-1552 Colour transparencies of op mural for a chemist shop. ca.1978.;PRG 919/15/1553-1566 Colour transparencies of perspex mosaic projects. Kay. 1980.;PRG 919/15/1567-1571 Colour transparencies of Perth tapestry project. nd.
PRG 919/15/1572: Newspaper clipping Giant Hotel Mural. The News 3 December 1957. Mural at the Pier Hotel in Glenelg. 1957.
PRG 919/15/1573: Colour photograph of J S Ostoja-Kotkowski next to a painting of the Polish church mosaic. ca.1985.;PRG 919/15/1574-1580 Colour photographs of the mosaic for the Polish church, 5.28 x 4.57m. Caption in Polish with 1580. 1985-1987.;PRG 919/15/1581-1583 Correspondence and explanatory material, all in Polish, relating to the Polish Church mosaic for the St Maximilian M. Kolbe Parish, Resurrection Fathers, Ottoway S.A. 1987.;PRG 919/15/1584-1588 Black and white photographs of the Polish Church mosaic and J S Ostoja-Kotkowski and a priest standing beside the mosaic. 1987.;PRG 919/15/1589-1619 Black and white photographs of segments of drawings of the mosaic and segments of the mosaic itself. 1985-1987.;PRG 919/15/1620-1633 Colour negatives of the painting of the Polish Church mosaic. 1985.
PRG 919/15/1634/1: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/2: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/3: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/4: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/5: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/6: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/7: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/8: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/9: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/10: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/11: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/12: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/13: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/14: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/15: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/16: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/17: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/18: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/19: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/20: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/21: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/22: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/23: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/24: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/25: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/26: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/27: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/28: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/29: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/30: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/31: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/32: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/33: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/34: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/35: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/36: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/37: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/38: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/39: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/40: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/41: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/42: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/43: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/44: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/45: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/46: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/47: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/48: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/49: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/50: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/51: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/52: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/53: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/54: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/55: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/56: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/57: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/58: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/59: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/60: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/61: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/62: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/63: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1634/64: Black and white negatives of the Polish Church mosaic, segments of the mosaic, J S Ostoja-Kotkowski standing beside the painting of the mural, and Ostoja and a priest standing beside the mosaic. 1985-1987.;PRG 919/15/1635-1701 Colour transparencies of artworks, paintings and people which were used by Ostoja when designing the Polish church mosaic. 1985.;PRG 919/15/1702-1707 Colour transparencies of the Polish Church mosaic. 1986.
PRG 919/15/1708/1: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/2: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/3: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/4: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/5: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/6: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/7: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/8: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/9: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/10: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/11: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/12: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/13: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/14: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/15: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/16: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/17: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/18: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/19: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1708/20: Set of colour transparencies of the Polish Church mosaic. 1986 (20 transparencies).
PRG 919/15/1709: Colour photograph of Polish House mural Adelaide. 1973.;PRG 919/15/1710-1713 Black and white photographs of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. 1973 (1713 A3 size).
PRG 919/15/1714/1: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/2: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/3: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/4: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/5: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/6: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/7: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/8: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/9: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/10: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/11: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1714/12: Black and white proof sheet and negatives of J S Ostoja-Kotkowski, his colleague and the Polish House mural Adelaide. December 1973 (see also 2928).;PRG 919/15/1715-1723 Colour transparencies of the Polish House mural and a young woman standing in front of the mural. 1973.
PRG 919/15/1724: Black and white photograph of Shamern's (?) mural. nd.
PRG 919/15/1725/1: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/2: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/3: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/4: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/5: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/6: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/7: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/8: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/9: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/10: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/11: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1725/12: Black and white negative of Shamern's (?) mural and trees. nd.;PRG 919/15/1726-1741 Colour transparencies of J S Ostoja-Kotkowski, his colleague and a mural at Sheik's restaurant. May 1986.
PRG 919/15/1742/1: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/2: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/3: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/4: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/5: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/6: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/7: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/8: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1742/9: Drawings of the Solaris sun mural. 1986.
PRG 919/15/1743/1: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/2: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/3: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/4: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/5: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/6: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/7: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/8: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/9: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/10: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1743/11: Explanatory material about the Solaris sun mural. The mural was sponsored by the Australia Council and the Artists and New Technology programme of the CSIRO. It was built at the CSIRO Division of Applied Physics Sydney. It covered an area of 20 sq metres. 1986.
PRG 919/15/1744/1: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/2: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/3: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/4: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/5: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/6: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/7: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1744/8: Newspaper clippings relating to the Solaris sun mural. 1977-1987.
PRG 919/15/1745: Letter relating to the Solaris sun mural. 1987.;PRG 919/15/1746-1747 Colour photographs of J S Ostoja-Kotkowski and the Solaris kinetic mural using artificial light source. 1986.
PRG 919/15/1748: Colour photograph of J S Ostoja-Kotkowski and the Solaris kinetic mural using the sun's light to make a mural that continuously changed its shapes and colours and produced surrounding sounds. 1986.;PRG 919/15/1749-1757 Colour photographs of the Solaris kinetic sun mural. 1986.;PRG 919/15/1758-1763 Colour photographs of J S Ostoja-Kotkowski and the Solaris kinetic sun mural. 1986.;PRG 919/15/1764-1767 Colour photocopies of J S Ostoja-Kotkowski and the Solaris kinetic sun mural. 1986 (1767 A3 size).;PRG 919/15/1768-1782 Black and white photographs of J S Ostoja-Kotkowski and the Solaris kinetic sun mural and testing the sun mural in a studio. 1986.;PRG 919/15/1783-1834 Colour negatives of Solaris kinetic sun mural, J S Ostoja-Kotkowski beside the Solaris and the Solaris mural being tested. 1986.;PRG 919/15/1835-1855 Black and white negatives of J S Ostoja-Kotkowski standing beside the Solaris kinetic sun mural. 1986.;PRG 919/15/1856-1902 Set of transparencies of J S Ostoja-Kotkowski and technicians working on the Solaris kinetic sun mural and images of the mural. 1986.;PRG 919/15/1903-1925 Colour transparencies of Solaris experiments in Stirling. 1986.;PRG 919/15/1926-1946 Colour transparencies of Solaris sun project pre set up in studio. June 1986. Photographs by R Nicolson.;PRG 919/15/1947-2288 Colour transparencies of J S Ostoja-Kotkowski and technicians working on Solaris at the CSIRO in Sydney, Ostoja with equipment, and images of the Solaris sun mural. 1986.;PRG 919/15/2289-2311 Colour transparencies of the model of the Solaris sun mural. 1986.;PRG 919/15/2312-2456 Colour transparencies of the final Solaris sun mural, the electronics with Russel Dahms, the CSIRO grounds, and equipment. 1986.;PRG 919/15/2457-2458 Information pamphlets relating to the Solaris MK 2 exhibit at the Brisbane Expo 88. The exhibit was a mural which employed light to change the colour images and produce sound. The electronic engineers were Russel Dahms and R Squire. The exhibit was installed in a mirrored room to reflect the images. BP Australia, World Expo 88 and the Australia Council sponsored it. 1988.
PRG 919/15/2458A: Colour photograph by Mike Stass of Stan Ostoja-Kotkowski's 'Solaris' exhibit at Brisbane's World Expo 88, sponsored by BP Solar Australia. To see a digital image do a NUMBER search on PRG 919/15/2458A.;PRG 919/15/2459-2462 Correspondence relating to Solaris MK 2. (2461 in Polish) 1988.;PRG 919/15/2463-2464 Newspaper clippings relating to the kinetic light and sound mural Solaris MK 2 at the Brisbane Expo 88. The Advertiser 18 Dec 1987 and magazyn tygodniowy 10-11 Oct 1988. 1987-1988.;PRG 919/15/2465-2468 Colour photographs of J S Ostoja-Kotkowski and friends at Expo 88, the monorail and the board about Solaris. 1988.;PRG 919/15/2469-2471 Colour photographs of J S Ostoja-Kotkowski working on Solaris MK 2 in his Stirling studio. 1987.;PRG 919/15/2472-2496 Colour photographs of the Solaris MK 2 kinetic light and sound mural, including J S Ostoja-Kotkowski and a woman, at the Brisbane Expo 88. 1988.;PRG 919/15/2497-2500 Black and white photographs and a photocopy of J S Ostoja-Kotkowski working on the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2501: Black and white photograph of the sign: BP Solar Australia proudly presents Solaris by J S Ostoja. Stan is reflected in the image. Solaris MK 2 Brisbane Expo. 1988.;PRG 919/15/2502-2506 Black and white photographs of the Solaris MK 2 sun mural Brisbane Expo. 1988.
PRG 919/15/2507/1: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/2: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/3: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/4: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/5: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/6: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/7: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/8: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/9: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/10: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/11: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/12: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/13: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/14: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/15: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/16: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/17: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2507/18: Colour proof sheet and negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2508-2510 Colour negatives of the Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2511-2512 Black and white proof sheets and negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at the Stirling studio and the Solaris MK 2 at Expo 88 Brisbane. 1987-1988.
PRG 919/15/2513/1: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/2: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/3: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/4: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/5: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/6: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/7: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/8: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/9: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/10: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/11: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/12: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/13: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/14: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/15: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/16: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2513/17: Black and white negatives of J S Ostoja-Kotkowski and the Solaris MK 2 at his Stirling studio. 1987.
PRG 919/15/2514: Black and white proof strip of J S Ostoja-Kotkowski beside the Solaris MK 2 in his Stirling studio. (Photo used for Advertiser article 2463) 1987.
PRG 919/15/2515: Black and white negative of Solaris MK 2 sun mural Brisbane Expo. 1988.;PRG 919/15/2516-2569 Colour transparencies of putting up the Solaris MK 2 sun mural at Expo 88 in Brisbane. 1988.;PRG 919/15/2570-2590 Colour transparencies Solaris II 1987-1988 spare set. Images of Expo 88 Brisbane and Solaris 2 sun mural. 1987-1988.;PRG 919/15/2591-2685 Colour transparencies of Expo 88 at Brisbane and Solaris MK 2 sun mural. 1988.;PRG 919/15/2686-2701 Colour transparencies of Solaris MK 2 sun mural at Expo 88 Brisbane. Photographs taken through a fish eye lens. 1988.;PRG 919/15/2702-2704 Magazine covers depicting the vitreous enamel mural in the foyer of the Sir Charles Todd Building. The Levels Campus of the South Australian Institute of Technology. 12 panel mural. 1977.;PRG 919/15/2705-2708 Colour photographs of the vitreous enamel mural at the South Australian Institute of Technology and J S Ostoja-Kotkowski and a man standing beside the mural. 1977.;PRG 919/15/2709-2711 Black and white photographs of the vitreous enamel mural at the South Australian Institute of Technology and J S Ostoja-Kotkowski with the mural. 1977.
PRG 919/15/2712/1: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/2: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/3: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/4: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/5: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/6: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/7: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2712/8: Black and white proof sheet and negatives which relate to 2709-2711. 1977.;PRG 919/15/2713-2727 Colour transparencies of J S Ostoja-Kotkowski standing in front of the vitreous enamel mural at the South Australian Institute of Technology and photographs of the panels in the mural. 1977.;PRG 919/15/2728-2759 Colour transparencies of J S Ostoja-Kotkowski and men installing the vitreous enamel mural at the South Australian Institute of Technology. 1977.;PRG 919/15/2760-2778 Black and white proof sheet, black and white negatives and black and white photographs of Spacescape. The mural was a decoration project for Adelaide Airport terminal March 1970. This was not the mural which finally went up. See 1-163. 1970.;PRG 919/15/2779-2786 Colour photographs of vitreous enamel mural at the State Educational Centre Flinders St Adelaide and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2787-2788 Colour photocopies of images of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2798-2801 Colour negatives of the State Educational Centre mural, some with J S Ostoja-Kotkowski. 1977.;PRG 919/15/2802-2803 Black and white photographs of the State Educational Centre mural and J S Ostoja-Kotkowski 1977.
PRG 919/15/2804: Black and white photograph of J S Ostoja-Kotkowski and a man looking at the State Educational Centre mural on the floor of a workshop. 1976.
PRG 919/15/2805/1: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/2: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/3: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/4: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/5: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/6: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2805/7: Black and white proof sheet and negatives of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.;PRG 919/15/2806-2812 Colour transparencies of the State Educational Centre mural and J S Ostoja-Kotkowski. 1977.
PRG 919/15/2813: Black and white photograph of 'In search of civic pride' or 'The great Australian mirage' a photographic mural by Mark Strizic exhibited in the National Gallery of Victoria during the 'Frontiers' exhibition that displayed the work of five photographers, held from 12-31 October 1971.
PRG 919/15/2814: Colour photograph of mural by Mark Strizic. 1971.;PRG 919/15/2815-2818 Black and white photographs of sun images. Test samples from experiments at the Australian National University in Canberra. 1972.;PRG 919/15/2819-2836 Colour transparencies of sun mural: experiments with light and designs carried out at the University of Melbourne. 1977.
PRG 919/15/2838: Black and white photograph of a mural at the Tasman Hotel, Port Lincoln. ca.1957.
PRG 919/15/2839: Colour photograph on board of laser mural, Telecom Australia. 1981.;PRG 919/15/2840-2844 Black and white photographs and negatives and colour transparencies of the Twelve Apostles, a vitreous enamel mural. nd.;PRG 919/15/2845-2846 Black and white photographs of the Unley shopping centre mural with a clock with signs of the zodiac as the numbers. 1966 (see also 2922).;PRG 919/15/2847-2850 Black and white photographs of sections of the Unley shopping centre mural. 1966.
PRG 919/15/2851: Black and white photograph of the clock in the Unley shopping centre mural. 1966.
PRG 919/15/2852: Colour photograph of J S Ostoja-Kotkowski and two men at the Unley shopping centre. 1966.
PRG 919/15/2853/1: Correspondence re proposals for murals for the Victorian Arts Centre nd.;PRG 919/15/2854-2857 Colour photographs of a swan mural and abstract paintings for the Weir restaurant run by Ernest Balogh on the Torrens River Adelaide. 1961.
PRG 919/15/2853/2: Correspondence re proposals for murals for the Victorian Arts Centre nd.;PRG 919/15/2854-2857 Colour photographs of a swan mural and abstract paintings for the Weir restaurant run by Ernest Balogh on the Torrens River Adelaide. 1961.
PRG 919/15/2853/3: Correspondence re proposals for murals for the Victorian Arts Centre nd.;PRG 919/15/2854-2857 Colour photographs of a swan mural and abstract paintings for the Weir restaurant run by Ernest Balogh on the Torrens River Adelaide. 1961.
PRG 919/15/2853/4: Correspondence re proposals for murals for the Victorian Arts Centre nd.;PRG 919/15/2854-2857 Colour photographs of a swan mural and abstract paintings for the Weir restaurant run by Ernest Balogh on the Torrens River Adelaide. 1961.
PRG 919/15/2853/5: Correspondence re proposals for murals for the Victorian Arts Centre nd.;PRG 919/15/2854-2857 Colour photographs of a swan mural and abstract paintings for the Weir restaurant run by Ernest Balogh on the Torrens River Adelaide. 1961.
PRG 919/15/2858: Outline of swan used in the Weir restaurant mural. 1961.;PRG 919/15/2859-2868 Colour negatives of Weir restaurant murals and a woman. 1961.
PRG 919/15/2870: Colour photograph of a mural in a restaurant ca.1960s.
PRG 919/15/2871: Black and white proof sheets of four panel mural in an office. 1962.
PRG 919/15/2872: Black and white proof sheet of J S Ostoja-Kotkowski beside a mural made up of nine sections. Location is a warehouse. nd.;PRG 919/15/2873-2875 Black and white photographs of wall panels. nd.;PRG 919/15/2876-2887 Black and white negatives of the paintings of the BP House mural. (see 253-255).
PRG 919/15/2888/1: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/2: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/3: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/4: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/5: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/6: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/7: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/8: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/9: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2888/10: Drawings and tracings of a tree mural and a stand. nd.;PRG 919/15/2889-2894 Colour negatives of a copper mural. nd.;PRG 919/15/2895-2896 Colour negatives of an abstract mural. nd.;PRG 919/15/2897-2898 Colour negatives of a bas-relief mural on a wall. nd.;PRG 919/15/2899-2904 Black and white photographs and negatives of panels of a mural. Looks similar to the style of the mural for Nauru House. nd.
PRG 919/15/2905/1: Black and white negatives of a mural in a room. nd.;PRG 919/15/2906-2911 Black and white proof sheets and photographs of a metal sculpted mural on a brick wall. nd.;PRG 919/15/2912-2913 Black and white negatives of a metal mural and J S Ostoja-Kotkowski. nd (see also 2922).
PRG 919/15/2905/2: Black and white negatives of a mural in a room. nd.;PRG 919/15/2906-2911 Black and white proof sheets and photographs of a metal sculpted mural on a brick wall. nd.;PRG 919/15/2912-2913 Black and white negatives of a metal mural and J S Ostoja-Kotkowski. nd (see also 2922).
PRG 919/15/2905/3: Black and white negatives of a mural in a room. nd.;PRG 919/15/2906-2911 Black and white proof sheets and photographs of a metal sculpted mural on a brick wall. nd.;PRG 919/15/2912-2913 Black and white negatives of a metal mural and J S Ostoja-Kotkowski. nd (see also 2922).
PRG 919/15/2905/4: Black and white negatives of a mural in a room. nd.;PRG 919/15/2906-2911 Black and white proof sheets and photographs of a metal sculpted mural on a brick wall. nd.;PRG 919/15/2912-2913 Black and white negatives of a metal mural and J S Ostoja-Kotkowski. nd (see also 2922).
PRG 919/15/2914: Cardboard cutouts of pieces of a metal mural pasted onto a black board. nd.
PRG 919/15/2919/FC: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/1: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/2: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/3: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/4: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/5: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/6: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/7: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/8: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/9: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/10: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/11: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/12: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/13: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/14: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/15: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/16: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/17: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/18: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/19: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/20: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/21: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/22: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/23: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/24: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/25: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/26: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/27: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/28: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2919/29: Scrapbook of black and white photographs and typed explanations of the folklore in the mural for Nauru House 1976 (see also 491-1455) OUTSIZE 1,6.
PRG 919/15/2925: Watercolour of a bas-relief mural for BP House Melbourne 1965 (see also 233-272) OUTSIZE 1,6.
PRG 919/15/2926: Mock ups of colour op mural with moire effects and a vitreous enamel mural on steel panels nd OUTSIZE 1,6.
PRG 919/15/2927: Mock up of a colour mural of continuous design based on SBSA etched or sandblasted on glass panels and a vitreous enamel mural with the costs of both 1980 (OUTSIZE 6).
PRG 919/15/2928: Colour photograph of a section of the Polish House mural 1973 (see also 1714-1723) (OUTSIZE 6).;PRG 919/15/2929-30 Watercolours of mermaids. The Pier Hotel at Glenelg had a mermaid in the mural so these may be related c 1957 (OUTSIZE 6).
PRG 919/15/2931: Red cutout of a mural nd (OUTSIZE 6).
PRG 919/15/2932: Mock up in watercolour, ink and gold paint of a bas-relief mural made with aluminium and pinus board 1961 (OUTSIZE 6).
PRG 919/15/2933: Mock up in coloured stripes and ink of a food mall mural made of translucent perspex or plexiglass nd (OUTSIZE 6).
PRG 919/15/2934: Mock up in watercolour of two food court murals in bas-relief. The moon and the sun nd (OUTSIZE 6). [NOTE: This item has been affected by mould. It has been digitised and the original sealed in a protective sleeve. Please use digital access copy.
PRG 919/15/2935/1: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/2: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/3: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/4: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/5: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/6: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/7: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/8: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/9: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/10: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/11: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/12: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/13: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/14: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/15: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/16: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2935/17: Correspondence ANZ Bank Adelaide 1968-1970.
PRG 919/15/2936/1: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/2: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/3: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/4: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/5: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/6: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/7: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/8: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/9: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/10: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/11: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/12: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/13: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/14: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/15: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/16: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/17: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2936/18: Sketches relating to the ANZ Bank Adelaide mural c1970.;PRG 919/15/2937-2944 Photocopies of sketches of the ANZ Bank Adelaide mural c1970.;PRG 919/15/2945-2947 Plans of the lobby and lifts of the ANZ Bank Adelaide c1970 OUTSIZE 6.
PRG 919/15/2948: Black and white photograph on board of the BP House Adelaide mural in the foyer of the building. 90cm x 74 cm. Marcus B Brownrigg Studios photographer 1965 OUTSIZE 6 (see also PRG 919/15/164).
PRG 919/15/2949: Negative photograph on board of mural beside lifts in unnamed building and locality. Mural appears to be a laser production? OUTSIZE 6.

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