Find • Aboriginal • Results 2,971 to 3,000 of 4,076
Productions created by JS Ostoja-Kotkowski
The series consists of transparencies, photographs, negatives and records relating to productions created by JS Ostoja-Kotkowski. The productions relate mainly to his laser and chromasonic works and range from his early Sound and Image shows to his later work such as Synchronos '72 in Canberra, the Ballarat Begonia Festival, Jublilee 150 celebrations in Adelaide, Brisbane 'Expo and Synkronos '91 in Warsaw Poland. Chronology:. 1964 Sound and Image New Zealand (PRG919/29/3820). 1966 Poland's Millenium Adelaide (PRG919/29 2957-2981). 1967 Sound and Image Festival of Perth (PRG919/29/1656-1737). 1968 Royal Adelaide Show (PRG919/29/2294-2305; 3503). 1970 Expo '70 Osaka Japan (PRG919/29/2306-2956; 6177). 1971 Sound and light display (PRG919/29/3821); Aquarius Arts Festival Canberra (PRG919/29/568-629; 6178-6185); St Vitus dance (PRG919/29/3548-3558); Laser chromsaon MkI (PRG919/29/2102-2134); Electronic music seminar Melbourne (PRG919/29/1506-1515; 6228). 1972 Synchronos '72 Canberra and Sydney (PRG 919/29/3823-4885; 6187); Laser chromason Mk II (PRG 919/29/2132-2158). 1974 Ararat Gallery Victoria laser chromason (PRG 919/29/630-665); Realities Gallery Melbourne laser chromason (PRG 919/29/2159-2221). 1975 Australia '75 Festival of Creative Arts and Sciences Canberra (PRG 919/29/684-1018; 6188-6213). 1976 Hitachi chromason (PRG 919/29/1891-1910); Prahan College of Advanced Education Melbourne Synchronos '76 (PRG 919/29/2982-3037; 4885-5043). 1977 Biorythmic (PRG 919/29/1347-1354). 1978 Royal Adelaide International exposition laser chromasonic tower (PRG 919/1-94; 3218-3502; 3646-3819; 6227). 1981 Telecom laser display Royal Adelaide Show (PRG 919/29/5367-5709); Prince Alfred College laser display (PRG 919/29/3038-3039); St Peter's College laser display (PRG 919/29/3504-3547). 1982 Laser concert Adelaide (PRG 919/29/95-567). 1984 Ballarat Begonia Festival laser kinetic show (PRG 919/29/1020-1340; 6214-6226). 1985 Adelaide Grand Prix laser show (PRG 919/29/1738-1853). 1986 Celebration of the World Jubilee 150 Adelaide (PRG 919/29/5710-6122); Jubilee 150 celebrations Wayville showgrounds (PRG 919/29/2016-2101). 1987 Art Link opening Adelaide Festival Centre (PRG 919/29/666-683). 1988 Brisbane Expo (PRG 919/29/1516-1655). 1991 Investigator Science and Technology Centre (PRG 919/29/1961-2015); Synkronos '91 Warsaw Poland (PRG 919/29/5044-5366). No date Crystal Straus (PRG 919/29/1355-1454); Eceontth (PRG 919/29/1487-1505); Hallelujah (PRG 919/29/1854-1890); Imagination Dead (PRG 919/29/1911-1959); laser light show (PRG 919/29/2263-2293); Sinfonia (PRG 919/29/3559-3645).
Slide photographs by Ostoja-Kotkowski
Twenty three slide photographs by Stan Ostoja-Kotkowski, using new camera of 1955 [?]. Some images may be later than this date, however. See "Contents" for details.
Inward and outward correspondence of Daniel Matthews and negatives.
Comprising the inward and outward correspondence of Daniel Matthews, including testimonial letters about Daniel Matthews and an assortment of letters written by Daniel Matthews to Janet Matthews (nee Johnston). They married in 1872 and were the parents of A.J. Norman (nee Matthews). This series also comprises four original negatives of associated family members and one composite image of the Maloga Mission in New South Wales.
Images of Theodor George Henry Strehlow
Comprising two images featuring Images of Theodor George Henry Strehlow at Barrow Creek and Alice Springs. Also comprising a newspaper cutting and a printed obituary card for Professor Strehlow, and including some rough notes re Strehlow on small note paper. For more details and information about the images see CONTENTS.
Photographs of river shipping and places
Photographs from Harry Godson's collection which had been given his catalogue numbers but were not included in earlier digitised series 1-4.
Wooltana woolshed and shearers 1897
Shearing team, some sitting on wool bales, outside the wool shed at Wooltana Station. Photograph includes several Aboriginal men and children.
Commonwealth Aircraft Corporation photo album
Photograph album of the aircraft and production factories of the Australian aircraft manufacturer Commonwealth Aircraft Corporation (CAC) during the World War II era.
Koonibba Childcare Centre
Koonibba Childcare Centre, including Kevina Ware, Laurel Glastonbury, and Emily Dudley. The photographer describes the Community, "The Koonibba Community is located in the vicinity of an Aboriginal ceremonial ground and traditional meeting place. The community was established in 1898 at a time when land on the west coast of South Australia was shifting from pastoralism to agriculture, it was originally a Lutheran Mission. The place now consists of a small township, surrounding land and the area around the Koonibba Rockhole. The township comprises administration buildings, the old Mission Church of the redeemer, community housing, school, childcare centre, hall, health clinic, workshop and various other buildings. Most of the existing structures are associated with the early phases of the Lutheran Mission. The area is 850ha, just off the Eyre Highway and 8km NNW of the township of Koonibba, 25km north west of Ceduna. On the day that these images where made I was lucky enough to record a number of resident tradesmen building new, and repairing old, community homes. I was also allowed to record some of the students from the primary school and in the childcare centre."
Surveying the North/South railway from Alice Springs to South Australia
23 black and white photographs taken by James (Jim) J. Kennedy in 1927 to 1928 during the surveying of the North/South Ghan railway from Alice Springs to South Australia. They were taken with a Box Brownie camera which Jim purchased for 10/- (10 shillings). Descriptions supplied by donor. See below for details.
Coober Pedy's first cemetery
View of Coober Pedy's first cemetery. The photographer comments on the cemetery, "Whilst exploring the streets around Coober Pedy in January 2013, I came across the first cemetery in the area, it can be found on a small plot of land in St Nicholas street amongst the residential houses that have spring up around it over the years. Like most things around Coober Pedy this graveyard has many secrets which will never be revealed, the graves are un-marked so you will never know who is in them and where they came from, which to me is a reflection of the modern day Coober Pedy which has a large number of individuals who live underground and go about there daily lives of searching for treasure in secret. There have been no consistent controlling authority over the cemetery, and no records kept to be passed on, each subsequent authority has been unsure of what had taken place previously. Boot Hill Cemetery, which is the current grave yard being used at Coober Pedy, also has its secrets, notes taken from Pastor Trager's statement regarding Aboriginal burials says, "It could be assumed that some of the deceased Aboriginal persons may not be buried in the cemetery as thought." Out of the total of 68 possible sites for graves in the cemetery, only 5 are positively located. It is not known at this stage who marked out the plots with besser bricks, or who placed the old wooden crosses with indented metal names tags, or what records or plans were used to determine their placement. It appears that it must have taken place a fair number of years after the burials as in several instances the names and/or the dates are wrong when compared to the burial certificates."
Indigenous council hall, Oodnadatta
Indigenous council hall at Oodnadatta. The photographer comments on Oodnadatta, "The decision to close the railway line and build the new track from Tarcoola to Alice Spring railway appeared to herald the end of Oodnadatta. The last Ghan train departed from Oodnadatta in 1980. However the local Aboriginal community were determined to retain the town as their home. It is now predominantly an Aboriginal settlement."
Old main street, Oodnadatta
The old main street at Oodnadatta. The photographer comments on Oodnadatta, "The decision to close the railway line and build the new track from Tarcoola to Alice Spring railway appeared to herald the end of Oodnadatta. The last Ghan train departed from Oodnadatta in 1980. However the local Aboriginal community were determined to retain the town as their home. It is now predominantly an Aboriginal settlement."
Oodnadatta Railway Museum
Railway Museum at Oodnadatta. The photographer comments on Oodnadatta, "The decision to close the railway line and build the new track from Tarcoola to Alice Spring railway appeared to herald the end of Oodnadatta. The last Ghan train departed from Oodnadatta in 1980. However the local Aboriginal community were determined to retain the town as their home. It is now predominantly an Aboriginal settlement."
Transcontinental Hotel, Oodnadatta
Interior view of the Transcontinental Hotel at Oodnadatta. The publican is Brenton Chester. The photographer comments on Oodnadatta, "The decision to close the railway line and build the new track from Tarcoola to Alice Spring railway appeared to herald the end of Oodnadatta. The last Ghan train departed from Oodnadatta in 1980. However the local Aboriginal community were determined to retain the town as their home. It is now predominantly an Aboriginal settlement."
Oodnadatta welcome sign
Welcome sign at Oodnadatta. The photographer comments on Oodnadatta, "The decision to close the railway line and build the new track from Tarcoola to Alice Spring railway appeared to herald the end of Oodnadatta. The last Ghan train departed from Oodnadatta in 1980. However the local Aboriginal community were determined to retain the town as their home. It is now predominantly an Aboriginal settlement."
Sergeant Wiltshire
Portrait photograph of Sergeant Wiltshire, with an Aboriginal boy, who may be a servant to the police officer.
Photographs of Effie Reid and family
Photographs of Effie Reid, her older brother Eric, and their family, at various ages. See below for details.
Bill Salkeld
Bill Salkeld, of the Port Adelaide Rowing Club, and other rowers, stand alongside an Aboriginal man holding a spear near the train taking the rowers to Perth for the Australian Interstate Rowing Championships.
South Australian views: album
Portrait of six aboriginal people at a campsite near the river. Men are in western dress and standing to look at the camera. Two women are sitting on blankets on the ground. There is a tent to the right and three dogs lying on the ground at the camp. One man is fishing with a wooden spear on the edge of the river. Location unknown, possibly River Murray.
Two patients at the Port Lincoln Hospital
Two patients in bed at the Port Lincoln Hospital. One of the men is Aboriginal.
Photographs relating to J.R.B. Love and his family
Photographs taken of or by J.R.B. Love, and featuring family and friends. See attached list for details of items.
International Women's Day march
After gathering on the steps of Parliament House, Adelaide, International Women's Day attendees led by four Aboriginal women carrying a large Aboriginal flag march east on North Terrace to the State Library.
![[Plan of the Simpson Desert, showing Colson's track] [cartographic material]](https://slsa-collections.s3.amazonaws.com/87/db/631e-062f-5016-9101-6ae2d3c24a69.jpg)
[Plan of the Simpson Desert, showing Colson's track] [cartographic material]
Edmund Albert (Ted) Colson was the first non-Aboriginal person to cross the full length of the Simpson Desert. He crossed from west to east, starting on 26 May 1936, and travelled along the 26th parallel from Mt. Etingambra via Poeppel Corner to Birdsville, arriving on 11 June 1936. He was accompanied by an Aboriginal companion, Peter Ains, and five camels. This map shows the Simpson Desert below the South Australia, Northern Territory and Queensland borders, names of natural features, pastoral leases (with lessee names) and Poeppel Corner. Colson's track is indicated by a broken line, notes on natural features along the track are included. Printed map with manuscript additions.
Norman family photographs
Photographs collected by the Norman family. A listing has been made by number (1-921) and by alphabetical order, attached to this record (see attached special list for details). A further 30 original photographs of Echuca, Maloga, Aboriginal people, and the Norman and Magarey families (some have captions on backs) have been added to this series and continue the numbering sequence to 951.
Adelaide 'Black Lives Matter' protest, Tarntanyangga
Crowd gathered at Tarntanyangga (Victoria Square) for the Black Lives Matter rally and protest, held on 6 June 2020, and estimated to be attended by over 6000 people. Protestors are holding signs with assorted messages, including 'Aboriginal Lives Matter'. The protest titled, 'Solidarity with Minneapolis', was in response to the killing of George Floyd in Minneapolis, Minnesota. The South Australian Police Commissioner gave protestors an exemption from COVID-19 lockdown restrictions, and masks were not handed out in response to advice from SA Health. The protest was also to demonstrate against issues with police violence, racism, and Aboriginal deaths in custody in. Speakers included Natasha Wanganeen, Jack Buckskin, Gabriel Akon (DyspOra), Aunty Yvonne Agius, and Aunty Joan Lemont. Organisers included Adelaide Campaign Against Racism and Fascism.
Natasha Wanganeen speaking at the Adelaide Justice for George Floyd march, Tarndanyangga.
Natasha Wanganeen addressing the crowd at the Adelaide Justice for George Floyd march in Tarndanyangga (Victoria Square). She is wearing an 'I Can't Breathe! #BLM' jumper. The protest, also referred to as 'Black Lives Matter', was held on 6 June 2020 and attended by more than 5000 people. It started at Tarndanyangga (Victoria Square), in response to the murder of George Floyd in Minneapolis, and was organised by Adelaide Campaign Against Racism and Fascism, and Sosblakaustralia SA Action Group. In addition, it was a rally to protest police violence, racism, and the murder of black people in Australia, and was in solidarity with the Aboriginal liberation struggle. Attendees were instructed by the organisers to wear masks and follow social distancing guidelines due to COVID-19.
Woman and child at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square).
Woman and child with a placard, 'Our skin colour should not make a difference' at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square). Organised by Sosblakaustralia SA and Adelaide Campaign Against Racism and Fascism, the Black Lives Matter - Keep up the fight march was a subsequent protest to the 'Justice for George Floyd' rally held in June. The purpose of the rally, which started at the northern end of Tarndanyannga and attracted about 1000 people, "was to to fight police violence, racism, and the murder of black people in this country, in solidarity with the Aboriginal liberation struggle, with the struggle in America, and with the global struggle against systematic racism".
Woman and police at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square).
Woman and police at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square). She is selling assorted products at the event. Organised by Sosblakaustralia SA and Adelaide Campaign Against Racism and Fascism, the Black Lives Matter - Keep up the fight march was a subsequent protest to the 'Justice for George Floyd' rally held in June. The purpose of the rally, which started at the northern end of Tarndanyannga and attracted about 1000 people, "was to to fight police violence, racism, and the murder of black people in this country, in solidarity with the Aboriginal liberation struggle, with the struggle in America, and with the global struggle against systematic racism".
Young protestors at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square).
Young protestors at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square). They are wearing BLM masks, and have a sign with the message, 'To the Australian Governments and their instruments of death, get your knees off our necks'. Organised by Sosblakaustralia SA and Adelaide Campaign Against Racism and Fascism, the Black Lives Matter - Keep up the fight march was a subsequent protest to the 'Justice for George Floyd' rally held in June. The purpose of the rally, which started at the northern end of Tarndanyannga and attracted about 1000 people, "was to to fight police violence, racism, and the murder of black people in this country, in solidarity with the Aboriginal liberation struggle, with the struggle in America, and with the global struggle against systematic racism".
Crowd at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square).
Crowd at the Black Lives Matter - Keep up the fight rally, Tarndanyangga (Victoria Square). Organised by Sosblakaustralia SA and Adelaide Campaign Against Racism and Fascism, the Black Lives Matter - Keep up the fight march was a subsequent protest to the 'Justice for George Floyd' rally held in June. The purpose of the rally, which started at the northern end of Tarndanyannga and attracted about 1000 people, "was to to fight police violence, racism, and the murder of black people in this country, in solidarity with the Aboriginal liberation struggle, with the struggle in America, and with the global struggle against systematic racism".