Transparencies and photographs of art images taken by JS Ostoja-Kotkowski [PRG 919/59] • Mixed material
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
89 B&W prints, contact prints and 35 mm and 120 mm negatives of images of cymatics experiments (the study of wave phenomena) carried out by Ostoja-Kotkowski as part of his Creative Arts Fellowship at the Australian National University, Canberra. Mounted photographs of images 27, 41, 45, 54, 64, 71, 75, 84, 87, 90 and 97 have been digitised and are available for viewing on the South Australiana Database under their individual numbers. The items include photographs of Ostoja-Kotkowski in his laboratory, April-May 1971; images 17 and 17A showing him have also been digitised. PART OUTSIZE 1.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Colour transparencies and colour photographs of laser images generated by Kinoptica, an optical device capable of producing continuously changing laser images for one hour without repetition. In 1986 Ostoja-Kotkowski had a visiting artist fellowship from the Australia Council at the CSIRO in Lindfield, NSW. The Kinoptica was developed there with the help of the Measure Group Leader Philip Sidor, engineers David Archer and Arthur Pickering and glassblower-craftsman Peter Henry, to synchronise the optic effects of lasers with the slow movement of any symphonic work. The images include 24 transparencies of the Kinoptica device. Images 108-113 have been digitised and can be seen on the South Australiana Database under those numbers. A small note by Ostoja-Kotkowski mentions that images of 20-25 square feet could be produced by one 10 microwave laser and an air-cooled Argon laser of approximately 12 mw output. Another typescript note by the artist has details of the design and purpose of the Kinoptica device, written at Stirling SA in March 1987.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Photographs and negatives of Stan Ostoja-Kotkowski with his Moiré images. Digital image of the collection available on the South Australiana Database.
Transparencies and photographs of art images taken by JS Ostoja-Kotkowski
Six colour transparencies of laser images which have been joined together by Ostoja-Kotkowski.